PS: The cover is from the German edition of the book, and although I´ve read the book in the original English, I couldn´t resist to use this deliciously decadent image.
Rating: 2.5 stars
Welcome to my world of wonderful books!
PS: The cover is from the German edition of the book, and although I´ve read the book in the original English, I couldn´t resist to use this deliciously decadent image.
Rating: 2.5 stars
I love reading essays because this art of nonfiction is rooted in the literary life of the authors as well. And if those essays to have some drops of true crime, count me in for a long read.
French playwriter, novelist and actress Yasmina Reza spent time in courts across France, assisting to trials of convincted murderers. With precision and high attention to detail, she focused on the human aspects of the crimes - well, the crimes always involve a human aspect, but in this case it dealt with the deep psychology of the stories - such as the relationships between the victim and criminal, as well as the tremendous role of childhood trauma.
Récit de certains faits by Yasmina Reza - which I´ve read in the German translation, Die Rücksteite des Lebens, translated from French by Claudia Hamm - is partially an account of those experiences. The rest includes personal stories, memories from Venice, literary encounters.
Clearly, the crime-related part was the most interesting, in terms of writing and intensity of the story and thereafter thoughts - how prevalent is the evil ? (as in ´evil doing´), how one can explain it? - , but the other accounts do have their own merits as well.
Personally, I find the idea of taking part to murder trials, and trials in general, very appealing, and as I am writing, I already think about what possibilities are available for outside audience to attend such meetings - given the very strict German personal data protection laws.
This short collection is a very interesting intimate exploration of human psyche, but don´t expect anything ´mild´ and ´sweet´ about it, but a lot of darkness.
Rating: 3.5 stars
Intimacies is set in the Hague and the unnamed women character is, like in A Separation, a translator, this time a translator at the Criminal Court in Hague. As an interpreter/translator myself, I recognized the intimacies and distances we are experiencing through and about words. The protagonist is observing and connecting, projecting intimate information she had access to, without judging, just allowing herself the benefit of the moment.
There are the intimacies of people we don´t know, but also other people intimating our thoughts. The private turns public, common knowledge.
There is no plot in Intimacies, as not all books should follow a plot. It feels claustrophobic sometimes, as we are living in the mind of the main character, we are obsessivelly following her, we intimate her thoughts and life, her lows and insecurities. There is also something deeply impressionistic about this novel, as in the art movement.
The chiselled prose and thoughtful reflections are extraordinary and would clearly read Audition as soon as possible.
Kitamura, whose book Audition was shortlisted for 2025 Booker is the chair of the jury of the 2027 Booker Prize - rebranded as The Bukhman International Booker Prize.
Rating: 4.5 stars